“All Is Falling” is the new (and ninth) example of the technique of the six (or twelve) chords that someone who is around thirty and who has spent years shut up in a room practicing twelve hours a day can acquire. But this isn’t just any technique. The uninhibited experimentation that James Blackshaw works with is pure acoustic avant-garde. And listening to him doing topographic and in-depth exercises in guitar sounds, in his present work, he embraces the steep cliffs of electro-acoustic music for the first time in his career.
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